身在福中 Living in happiness (S的第273-274封信) 24/08/2013

B-side VU—Trilogy of Malalikap 2 Suite d’amour B面絲絨—瑪拉利卡三部曲 第2部 戀曲

 

身在福中(S的第273封信2013824 上午2:26  收件人:J

Living in happiness (S’s 273rd letter) 24/08/2013 AM2:26 addressee: J

B面絲絨 瑪拉利卡三部曲 序曲 1 封面圖檔 1

 

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J的第281封信 收件人:S 2013824 上午6:38

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我喜歡一整條香腸拿起來看 Jobson's words 281st letter to Sumika 24 Aug 2013

 

身在福中(S的第274封信2013824 下午12:55  收件人:J

Living in happiness (S’s 274th letter) 24/08/2013 PM12:55 addressee: J

 

PDF檔內容很清楚,淺談英美法

我也不懂為什麼連結打開後看不到內容

 

忘了問你,這週組曲我記得,是去年11月底到12月初播過的,那麼去年八月搖滾組曲?"經典搖滾組曲,你想起是哪兩個組曲?

看來我是不是還得慢慢等,我那個浪子組曲

 

也忘了跟你說,我的筆電是日文版,所以我查詢資料時,一般也習慣會先查日文的,即便我鍵入注音中文(而非日文漢字)Google通常先跳出日文資訊。當然,看語言狀況需要而定,中文的維基也常使用。可是在號稱人口眾多的華文世界,中文維基的內容比其他語言的建檔..少得可憐。

你談司法談官司內情,當然是現身說法,談的角度,比起沒目睹和親身經歷過的人是更深入周全了!

上次去聽演講那天,現場擺了張娟芬新書,十三姨KTV密室殺人事件

就是抽絲剝繭談判案過程中的謬誤。

我有興趣(對冤獄)一讀,但前一本還沒開始讀呢! 下次了。

 

網路的事還要再問你這專家..

暫先寫到這裡,

 

sumika

  

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J的第282封信 2013824 下午3:19 收件人:S

J的第283封信 2013824 下午3:54 收件人:S

J的第284封信 2013824 下午9:39 收件人:S

J的第285封信 2013824 下午10:02 收件人:S

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♫*♥*•ღ♫••**ღ¨♥*••♫•♥*ღ♫••¨*♥*♫*ღ•¨*♥*•ღ♫•♥*¨*♫

精選1

Fool (If you think it’s over) by Chris Rea, from the “Whatever Happened To Benny Santini”, 1978.

 

Fool (If you think it’s over)New life of “Fool (If you think it’s over)” in ”Shimmering Bagatelle—A strange kind of love”, the original version of “A Summer’s Day in Winter—American Folk Suit”

Fool (If you think it’s over) was selected by Jobson as the 8th track in his early VU Suite: “《Never Come Back – California Wildfire SuiteNever Come Back –California加州野火組曲》, title named by Sumika in 2012, and counted by Sumika as the 20th VU Suite of Jobson’s works. Jobson never named it. Since 2014, this VU Suite wasn’t broadcasted in VU Live House website no more. It was disintegrated by Jobson.

So here【The Velvet Underground Taipei Story】is the only place to hear the old tracks of ancient VU Suites. That’s why here this website has a subtitle: La version la plus rare de notre VU Live House Taipei. It’s maybe the first time for you but not the last time to encounter the old tracks of Jobson’s VU Suites here.

Never Come Back – California Wildfire Suite” is a collection of 1970’s – 80’s pop rock music with soft rock bands from England, America, Germany…After the disintegration, several songs of the “Never Come Back – California Wildfire Suite” were selected again by Jobson in another new VU Suites.

Fool (If you think it’s over) (by Chris Rea) →was featured again, in a new VU Suite, named by Sumika: ”Shimmering Bagatelle—A strange kind of love” (《微光小品組曲—A strange kind of love》= is the original and complete version of “Folk Suite IX—70’s Pop Folk”, renamed by Jobson in 2017, then renamed by Jobson in 2018:《A Summer’s Day in Winter—American Folk Suite》.

1 45 VU Suite 微光小品組曲 - A strange kind of love A Summer's Day in Winter American Folk Suite (1)

2 VU 45 絲絨 組曲 A Summer’s Day in Winter—American Folk Suite 微光小品組曲 Jobson 70's folk suite

Image 1 left above was designed by Sumika as the cover art of the 45th VU Suite of Jobson’s works: ”Shimmering Bagatelle—A strange kind of love”(《微光小品組曲A strange kind of love). Image 2 right above was by Jobson, selected in 2017 as the cover art of the same VU Suite, just different in the title: “Folk Suite IX—70’s Pop Folk” in 2017. Sincce 2018, Jobson selected another photo and another name for this VU Suite: A Summer’s Day in Winter—American Folk Suite.)

The difference between Jobson’s and Sumika’s naming and design of cover art  is an example of this cruel Taipei Story of Jobson & Sumika. 

In fact, ”Shimmering Bagatelle—A strange kind of love” is the original and complete version of “A Summer’s Day in Winter—American Folk Suite”. The naming by Sumika is the very best “resumé” of comprehension and interpretation of this VU Suite. Time will tell, and the answer is already there at the beginning 

No matter what happened, no matter Jobson still miss Sumika or he had already forgotten Sumika like a stranger, yet, Sumika remains the only one having the same KEY as Jobson, his Master, in the common interest and taste in music.  

Sumika is the first and the only woman who’s encouraging Jobson in the lawsuit against The Eslite Corporation and admiring Jobson’s talent and encouraging him in writing and composing the musical suites since the very first of their story. Sumika is and will always be the only one who admire the whole works of Jobson’s VU Suites and cherish all the VU Suites the same as to cherish the Golden Epoque of VU Suites with Jobson… 

The real confidant will never disappoint the confidant. Sumika proved it by giving the precise names for Jobson’s works and the design for the cover art. No need to argue…just like The Cranberries said. Time will tell.

Please refer to the articles written by Sumika about this VU Suite in the column of ✺ “Holding on the souls of Multitude—Master Jobson’s VU Suites” (【托住眾生的靈魂—組曲大師Jobson的絲絨組曲】)and Jobson’s article posted in the column of “Essay of Velvet”(【絲絨漫談】)in the official website of Velvet Underground Taipei and the articles posted by Jobson Hiiao in VU Live House Facebook and Jobson Hiiao Facebook.

Apocalypse of justice and music by Sumika

傻瓜你以為一切都結束了嗎?—微光小品組曲裡的Fool (If you think it’s over)新生命A Summer’s Day in Winter—American Folk Suit 的原初版本完整版

Chris Rea的Fool (If you think it’s over)被Jobson選入他早期編製的一支流行搖滾系列絲絨組曲中的第8首歌:由Sumika在2012年命名為《Never Come Back –California加州野火組曲》,後來Sumika再加上Never Come Back,並為之編號為Jobson 的第20支絲絨組曲。Jobson始終未重新命名過,且2013年8/18-8/25當週播放,是這支組曲最後一次在地下絲絨VU Live House官網播放,此後Jobson將這支組曲拆解,其中幾首歌分別重新選入其他組曲(參見前面幾篇貼文)。

這裡介紹這首Chris Rea所唱的抒情搖滾歌曲Fool (If you think it’s over),顯然是Jobson所鍾愛的,因為他後來重新賦予他新生命,Fool (If you think it’s over) →被重新選入由Sumika首播當時隨即命名的 (《微光小品組曲—A strange kind of love》。Sumika將它編號為Jobson的第45支絲絨組曲。2017年,被Jobson改版調整並命名為 “Folk Suite IX—70’s Pop Folk”, 然後在2018年再度被Jobson重新命名為:《A Summer’s Day in Winter—American Folk Suite》。

上面所附兩張《微光小品組曲—A strange kind of love》的圖片:圖1是Sumika設計。圖2為該組曲在2017年播放時Jobson配合的插圖,Jobson命名為 “Folk Suite IX—70’s Pop Folk”。自2018年起組曲名稱和組曲插圖已更換 (參見Jobson Hiiao 及VU LiveHouse的官網與臉書)。

事實上,《微光小品組曲—A strange kind of love》是“Folk Suite IX—70’s Pop Folk”與”A Summer’s Day in Winter—American Folk Suite》這兩支名稱不同但內容相近組曲的原型版本及完整版本。這些Sumika & Jobson前後命名和圖片故事的差異本身,就是赤裸裸的「台北地下絲絨殘酷搖滾啟示錄」的例證……

不管世事多變遷,Sumika作為與Jobson在音樂欣賞的喜好上,這個經過Jobson認證與他擁有共同KEY的絲絨知音,Sumika欣賞珍愛組曲大師Jobson的所有絲絨組曲,與他擁有共同認知的音樂語言,是唯一而永遠的絲絨知音。這是永遠不會改變的…

在首播初音的初夜,Sumika隨即為Jobson的新組曲命名《微光小品組曲》,既精準到位,是共鳴回聲。Sumika對Jobson組曲的理解,可能更甚於組曲創作大師本人,超乎作者本人想像。但敏銳如Sumika沒有錯解,Sumika對很多支絲絨組曲勾勒的曲風輪廓和氣質,包括這支《微光小品組曲—A strange kind of love》組曲的詮釋、領略和吟味高下之判,時間自己會證明。

Time will tell, 很快,2018年Jobson的重新命名和重新選圖,竟不謀而合,來為此說法證明了……天涯存知音,有人會不開心嗎?真正的知音,必然是欣喜(至少是竊喜)有個知音知己(了解自己)。除非心胸狹窄、目光如鼠,竟將知音視為敵人了…

物換星移,Fool (If you think it’s over)…你說,Jobson仍會想念Sumika?還是商人本無情,只祈求往事最好都如煙,早早遺忘了為他擔憂哭泣、為地下絲絨命運傷心落淚的女人…。

世事改變不了的是,往事並非船過水無痕。絲絨事件裡所有的不公不義,無論是加害或被害者,所有說謊者的謊言,總有一天,不公不義的後果,終會自己說話,以事實真相說出,往事不如煙…,而人終得為各自的罪惡付出代價,良心的譴責只是一種最人性的——但如果是沒人性的人,那麼,他們會是活得最長命的可憐人…。

 

Kahlil Gibran The Prophet 紀伯倫 先知 罪與罰 悔悟不待你的囑咐

至於Sumika第271封寫給Jobson的信問到來信連結內容,是〈淺談英美法〉:出自綠基會通訊 (中華民國九十九年一月) 作者顏秀慧

請參照︰Jobson在他的台北地下絲絨搖滾餐廳 VU Live House Taipei官網【絲絨漫談】單元撰寫和VU Live House地下絲絨 Facebook、Jobson Hiiao Facebook所發表的文章,以及本網站Sumika所寫【托住眾生的靈魂——組曲大師Jobson的絲絨組曲】單元簡介本組曲文章、〈關於【托住眾生的靈魂】〉、【B面絲絨 瑪拉利卡三部曲 第一部序曲 第二部戀曲】等單元。

Prodigal son_s words

Cf.

S的第12封信 地下絲絨今何在? 23/05/2012

象牙門之夢 5 Lost in internet 02/06/2012

期待豐收 (S的第124-128封信) 16-18/10/2012

象牙門之夢36 二十三年後—善於記憶,巧於遺忘 Being adept in memory, good at forgetting 23-4/11/2012

永遠支持你,Here and there, now and always (S的第172封信) 31/12/2012

20 VU Suite Never Come Back-California 加州野火組曲

♫*♥*•ღ♫••**ღ¨♥*••♫•♥*ღ♫••¨*♥*♫*ღ•¨*♥*•ღ♫•♥*¨*♫

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